Compact Living Home by Hillery Priest

Designed by New Zealand based architect "Hillery Priest Architects", a collaboration of the talents of Richard Priest and Susan Hillery, is a dynamic and thriving central Auckland practice producing contemporary architecture enhancing their clients’ lifestyles and workstyles.

A compact family home that is well defined by a strong modern aesthetic of high contrast. A protective shell of steel and darkened cedar forms a hardened exterior around the more smoother and soft white crisp interior spaces.





















About the Architect:
Richard Priest has won every significant New Zealand architectural award. He has been on the advisory boards for the design degrees at UNITEC and the Auckland University of Technology. His enthusiasm for urban planning has seen him visit and study in cities throughout North and Central America, South East Asia, India, Europe and Australia.


























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Compact Living Home by Hillery Priest

Designed by New Zealand based architect "Hillery Priest Architects", a collaboration of the talents of Richard Priest and Susan Hillery, is a dynamic and thriving central Auckland practice producing contemporary architecture enhancing their clients’ lifestyles and workstyles.

A compact family home that is well defined by a strong modern aesthetic of high contrast. A protective shell of steel and darkened cedar forms a hardened exterior around the more smoother and soft white crisp interior spaces.





















About the Architect:
Richard Priest has won every significant New Zealand architectural award. He has been on the advisory boards for the design degrees at UNITEC and the Auckland University of Technology. His enthusiasm for urban planning has seen him visit and study in cities throughout North and Central America, South East Asia, India, Europe and Australia.


























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Bundeena Beach House, Sydney Australia

This Bundeena Beach House is sited on the dune fronting Horderns Beach, Bundeena, on the northern edge of the Royal National Park, on Sydney’s south eastern fringe. The house is raised off the ground, set on steel posts driven into the dune, braced against a north-easterly sea swell that can, at times, send a surge of energy through the dune and into the building fabric. The house is designed to be both strong, and flexible - built of a composite steel/ timber frame, clad in rough sawn plywood and corrugated iron.


Each room provides a framework for a different set of experiences. The living rooms are positioned on the dune ridge to make the most of the stunning bay and ocean view. On the beach front a breezeway room sits protected from the morning glare of the water by operable timber louvred walls - and on the bush side, an open deck sits protected from a sometimes bracing breeze.



The main bedroom is perched above the living rooms, well back from the beach for privacy, commanding 360 of the bay, the bush and the hamlet of Bundeena. Another bedroom and an office on the ground floor are accessed via an open, roofed timber walkway – gently forcing visitors and occupants to experience the elements.
For the owner, a naturopath, it is at once a beach house, a home, a place of work, and a conduit to experiencing the environment.



The project is a collection of 15 stylish beach houses set in a pristine bushland setting. The site itself is just back from the beach and has stunning views of Port Hacking and Hastings Beach. What is unique about this development is that each house has been designed as if it were a stand-alone luxury designer home. Read More →

Bundeena Beach House, Sydney Australia

This Bundeena Beach House is sited on the dune fronting Horderns Beach, Bundeena, on the northern edge of the Royal National Park, on Sydney’s south eastern fringe. The house is raised off the ground, set on steel posts driven into the dune, braced against a north-easterly sea swell that can, at times, send a surge of energy through the dune and into the building fabric. The house is designed to be both strong, and flexible - built of a composite steel/ timber frame, clad in rough sawn plywood and corrugated iron.


Each room provides a framework for a different set of experiences. The living rooms are positioned on the dune ridge to make the most of the stunning bay and ocean view. On the beach front a breezeway room sits protected from the morning glare of the water by operable timber louvred walls - and on the bush side, an open deck sits protected from a sometimes bracing breeze.



The main bedroom is perched above the living rooms, well back from the beach for privacy, commanding 360 of the bay, the bush and the hamlet of Bundeena. Another bedroom and an office on the ground floor are accessed via an open, roofed timber walkway – gently forcing visitors and occupants to experience the elements.
For the owner, a naturopath, it is at once a beach house, a home, a place of work, and a conduit to experiencing the environment.



The project is a collection of 15 stylish beach houses set in a pristine bushland setting. The site itself is just back from the beach and has stunning views of Port Hacking and Hastings Beach. What is unique about this development is that each house has been designed as if it were a stand-alone luxury designer home. Read More →

Leura House by James Stockwell

This Laura House Design inspired by the geology and landscape of edges, cliffs, caves, and ponds of the Blue Mountains near Sydney. Designed by James Stockwell Architect, This Laura House designed for passive solar performance and become the winner of the 2008 Wilkinson Award - the Australian Institute of Architects New South Wales’ highest accolade for a residential project. It unfolds is a last step in a series of landscape spaces from the valley to the verandah.
















The Leura house is sketched out in sedimentary compressed sandstone walls. It uses a Japanese method called 'discontinuous unity' brought to light in the 1940’s by Japanese architects Yoshizaka and Sakakura for the incomplete separation of spaces from one another.

This ‘incompleteness’ of space, interior and exterior, permits the user to fill in the gaps with the act of dwelling and activity, a kind of liberation for the user by an un-prescribing, open-ended architecture. Physically it means no thresholds and doors are hidden and making open-ended rooms. Walls aren't wholly devoted to enclosing space but to create pauses in a larger journey.













The materials are limited in number and low embodied energy. The ‘rammed sandstone’ walls are crushed sandstone with 10% cement compacted into forms with chips of iron stone and quartz. The house is designed for the owners, their children, grand children and friends. The loft is designed to sleep 12 grandchildren with boys and girls on separate sides.



















The intention is to address warmth/cooling, ventilation and acoustics with simple passive methods backed up by sustainable [hydronic] heating/cooling. Aesthetic solutions like plywood ceiling strip panels work also for acoustic performance. The house produces its own power and water. 20 PV panels producing .5kw each/day in Leura are installed and a 100,000lt water tank is built under the bedroom wing.



















The garden and landscape are most important so the journey along the edges of the building permit varying places to experience the mountain valley.

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Leura House by James Stockwell

This Laura House Design inspired by the geology and landscape of edges, cliffs, caves, and ponds of the Blue Mountains near Sydney. Designed by James Stockwell Architect, This Laura House designed for passive solar performance and become the winner of the 2008 Wilkinson Award - the Australian Institute of Architects New South Wales’ highest accolade for a residential project. It unfolds is a last step in a series of landscape spaces from the valley to the verandah.
















The Leura house is sketched out in sedimentary compressed sandstone walls. It uses a Japanese method called 'discontinuous unity' brought to light in the 1940’s by Japanese architects Yoshizaka and Sakakura for the incomplete separation of spaces from one another.

This ‘incompleteness’ of space, interior and exterior, permits the user to fill in the gaps with the act of dwelling and activity, a kind of liberation for the user by an un-prescribing, open-ended architecture. Physically it means no thresholds and doors are hidden and making open-ended rooms. Walls aren't wholly devoted to enclosing space but to create pauses in a larger journey.













The materials are limited in number and low embodied energy. The ‘rammed sandstone’ walls are crushed sandstone with 10% cement compacted into forms with chips of iron stone and quartz. The house is designed for the owners, their children, grand children and friends. The loft is designed to sleep 12 grandchildren with boys and girls on separate sides.



















The intention is to address warmth/cooling, ventilation and acoustics with simple passive methods backed up by sustainable [hydronic] heating/cooling. Aesthetic solutions like plywood ceiling strip panels work also for acoustic performance. The house produces its own power and water. 20 PV panels producing .5kw each/day in Leura are installed and a 100,000lt water tank is built under the bedroom wing.



















The garden and landscape are most important so the journey along the edges of the building permit varying places to experience the mountain valley.

Read More →

Fullagar Residence by Stephen Varady Architecture

The Fullagar Residence is a considered exploration of the suburban house located in 22 fiona avenue, wahroonga, nsw 2076, Sydney. The design of the Fullagar Residence demonstrates another way to define ‘house’ with 1,260m² site area, 350m² internal floor area, 110m² garage + workshop decks and 95m² pool. while using conventional construction methods and materials – concrete, brickwork, timber framing and fibrous cement.

Since Michael Fullagar is a builder, the design and construction was a collaborative process, with no detail construction drawings required. The design provides a comfortable, spacious house, incorporating strict passive solar principles, while also exploring more sculptural and artistic ideas.



The form is a composition of intersecting rectilinear elements, inspired by Kazimir Malevich’s ‘Arkhitektons, with a dramatic overlay of colour, inspired by the teachings of Joseph Albers and Johannes Itten - perhaps more in the spirit of Australian artist Jeffrey Smart than Fred Williams.




















By breaking the exterior surface into smaller coloured panels, the scale of the house has been visually reduced. By painting the panels in different colours the facade becomes an exploration of colour theory while also being a response to the notion of ‘fitting in’, through the use of four different ‘natural’ tan colours. The bold red pool is use as a highlight and counterpoint to the overall composition. The same red acts as a counterbalance in the centre of the house on one wall of the stair.




















Internally, the use of colour is further explored through the placement of blocks of colour on the white walls and ceilings, rather than painting a whole wall, ceiling or room in the same colour. This approach creates an alternative definition of space, and blurs the distinction between walls and ceilings and between the idea of a wall and a canvas.



photographer: stephen varady + john gollings

Finally, the Fullagar Residence is a house designed for its occupants. The design has taken their needs and desires and shaped a house around those. A house that is practical and comfortable, but one that is also attempting to critique the notion of house, and in particular, the Sydney suburban house. This house dares to say, here I am, and I am different... and I am very good, even though I'm different... Read More →

Fullagar Residence by Stephen Varady Architecture

The Fullagar Residence is a considered exploration of the suburban house located in 22 fiona avenue, wahroonga, nsw 2076, Sydney. The design of the Fullagar Residence demonstrates another way to define ‘house’ with 1,260m² site area, 350m² internal floor area, 110m² garage + workshop decks and 95m² pool. while using conventional construction methods and materials – concrete, brickwork, timber framing and fibrous cement.

Since Michael Fullagar is a builder, the design and construction was a collaborative process, with no detail construction drawings required. The design provides a comfortable, spacious house, incorporating strict passive solar principles, while also exploring more sculptural and artistic ideas.



The form is a composition of intersecting rectilinear elements, inspired by Kazimir Malevich’s ‘Arkhitektons, with a dramatic overlay of colour, inspired by the teachings of Joseph Albers and Johannes Itten - perhaps more in the spirit of Australian artist Jeffrey Smart than Fred Williams.




















By breaking the exterior surface into smaller coloured panels, the scale of the house has been visually reduced. By painting the panels in different colours the facade becomes an exploration of colour theory while also being a response to the notion of ‘fitting in’, through the use of four different ‘natural’ tan colours. The bold red pool is use as a highlight and counterpoint to the overall composition. The same red acts as a counterbalance in the centre of the house on one wall of the stair.




















Internally, the use of colour is further explored through the placement of blocks of colour on the white walls and ceilings, rather than painting a whole wall, ceiling or room in the same colour. This approach creates an alternative definition of space, and blurs the distinction between walls and ceilings and between the idea of a wall and a canvas.



photographer: stephen varady + john gollings

Finally, the Fullagar Residence is a house designed for its occupants. The design has taken their needs and desires and shaped a house around those. A house that is practical and comfortable, but one that is also attempting to critique the notion of house, and in particular, the Sydney suburban house. This house dares to say, here I am, and I am different... and I am very good, even though I'm different... Read More →

Daniel Marshall | House in Orkney, New Zealand

The complete residential project in 2007 from New Zealand Architects, Daniel Marshall Architect. A densely suburban area in Mt. Manganui presented a section with a sharp two metre drop mid-site. This ground condition gave rise to four separate half levels housed within two distinct sculptural forms, articulated by a gentile stairway at the fulcrum.














The space between the two functional areas, framed by the stair, form the courtyard areas and provide an interface, often lacking on small sites, between public and private spaces. The Eastern form houses the garage and the public spaces with the Western form accommodates the private spaces. From the entry driveway the clean white forms evoke the prows of two ocean vessels vying for the attention of Mt. Manganui.






































Daniel Marshall | House in Orkney, New Zealand Read More →

Daniel Marshall | House in Orkney, New Zealand

The complete residential project in 2007 from New Zealand Architects, Daniel Marshall Architect. A densely suburban area in Mt. Manganui presented a section with a sharp two metre drop mid-site. This ground condition gave rise to four separate half levels housed within two distinct sculptural forms, articulated by a gentile stairway at the fulcrum.














The space between the two functional areas, framed by the stair, form the courtyard areas and provide an interface, often lacking on small sites, between public and private spaces. The Eastern form houses the garage and the public spaces with the Western form accommodates the private spaces. From the entry driveway the clean white forms evoke the prows of two ocean vessels vying for the attention of Mt. Manganui.






































Daniel Marshall | House in Orkney, New Zealand Read More →

Stevens Lawson Architects on Hobson Bay House

This is an amazing Stevens Lawson Architects project called Hobson Bay House. This Hobson Bay House was awarded as the Winner of NZIA New Zealand Award for Architecture in 2004. This award-winning house sits majestically on a north sloping section with a dramatic outlook to Hobson Bay, in Auckland, New Zealand, adjacent to an enclave of iconic New Zealand modern houses.





















The living areas, sky deck and main bedroom are located on the upper floor to take in the panoramic harbour views. The upper level functions as a semi independent apartment for the parents, while the ground floor level has two bedrooms for the teenage sons, a living area and kitchenette, as well as garaging.

A small hydraulic elevator provides for transportation of supplies to the upper level, and to future proof the home (the owners do not want to be forced to move in old age).





















The upper level reads as a sculpted concrete mass hollowed-out to house the occupants and to reveal the sea view. This heavy mass sits on a lightweight base of timber and glass, creating a sense of tension and daring. The top floor overhangs the ground floor, effectively forming a verandah around the base.



























The interior is a calm and sensuous experience featuring soft glowing skylights, white plaster walls, and natural timber floors.


















































The exterior is interplay of textured surfaces, giving the house an earthy handmade quality; rough concrete, smooth concrete, timber and glass are contrasted in a sculptural composition.



























Photographed by Mark Smith

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